Cookies Policy

The website of the University of Cádiz uses its own and third-party cookies to carry out analysis of use and measurement of traffic, as well as to allow the correct functioning in social networks, and in this way to improve your browsing experience.

If you want to configure cookies, press the button Customize Cookies. You can also access the cookie settings at any time from the corresponding link in the footer.

For more information about cookies you can consult the Cookies policy from the website of the University of Cádiz.

Cookies customization

The website of the University of Cádiz uses its own and third-party cookies to carry out analysis of use and measurement of traffic, as well as to allow the correct functioning in social networks, and in this way to improve your browsing experience.

For more information about cookies you can consult the Cookies policy from the website of the University of Cádiz. You can also access the cookie settings at any time from the corresponding link in the footer.

You can configure the website cookies according to their purpose:

  • Statistical analysis

    Third-party cookies (Google Analytics) are used on this site that allow the number of users to be quantified anonymously (personal data will never be obtained to identify the user) and thus be able to analyze the use made by users of our service, in order to improve the browsing experience and offer our content optimally.

  • Social networks

    Third-party cookies are used on this website that allow the proper functioning of some social networks (mainly YouTube and Twitter) without using any personal data of the user.

UniversidaddeCádiz
Flamenco en Red

III Edición Flamenco en Red – CONFERENCIAS

 

 

  • “El flamenco ante el mercado de las artes escénicas”, a cargo de Domingo González Lavado

Accede al vídeo aquí

 

  • “Cantes y estilos de Cádiz y Los Puertos”, a cargo de Antonio Barberán

Accede al vídeo aquí

 

  • “El nombre de Flamenco que ocho letras tiene”, a cargo de Luis Suárez Ávila

Accede al vídeo aquí

 

  • “Tremendo Asombro: Huellas de lo Andaluz en los teatros de La Habana en la primera mitad del siglo XIX”, a cargo de José Luis Ortiz Nuevo

Accede al vídeo aquí

 

  • “El cante gitano-andaluz”, a cargo de Antonio Carmona

Accede al vídeo aquí

 

  • “El tanguillo, la pieza que el carnaval le prestó al flamenco… y aún no se lo ha reconocido”, a cargo de Javier Osuna.

Accede al vídeo aquí